Skip to main content
A vintage watercolour illustration of a Last Word served in a coupe glass filled with pale green-gold liquid with no ice, garnished with a maraschino cherry on a pick across the rim, painted in warm sun-faded tones on aged parchment paper with loose ink outlines and visible brush texture.

Last Word

Novice

The Last Word is one of the great equal-parts cocktails: gin, green Chartreuse, maraschino liqueur, and fresh lime juice in identical measures, shaken and served up. No component leads and no component follows. Each of the four is assertive enough to dominate a lesser recipe, and the fact that none dominates this one is the drink’s central achievement. It originated at the Detroit Athletic Club around 1915, documented by Ted Saucier in his 1951 book Bottoms Up and attributed to vaudeville performer Frank Fogarty, who allegedly introduced it to the club. It disappeared almost entirely during and after Prohibition and was rediscovered in the early 2000s by Seattle bartender Murray Stenson, who found it in Saucier’s book and put it on the menu at the Zig Zag Café. From there it spread through the craft cocktail world and has not left. The revival was deserved. Green Chartreuse brings herbal intensity, maraschino brings cherry sweetness and a faint bitter almond note, fresh lime brings tartness, and gin holds it together. Each sip reveals a different component leading depending on where in the glass you are. It is a drink worth paying attention to.

High-ABVSpirit-ForwardMulti-SpiritShakenClassic

Glassware: Nick & Nora Glass

Garnish: Maraschino Cherry and Lime Twist expressed over the glass

Ingredients

Serves
London Dry Gin

22.5ml

High juniper character recommended. Needs enough structure to hold its own against the Chartreuse and maraschino

Green Chartreuse

22.5ml

The herbal backbone of the drink. Do not reduce the measure. The equal parts structure depends on all four components at full strength

Maraschino liqueur

22.5ml

Luxardo is the benchmark. Provides cherry sweetness and a faint bitter almond note that bridges the Chartreuse and the lime

Fresh lime juice

22.5ml

Squeezed immediately before use. Provides tartness and brightness that cuts through the sweetness of the Chartreuse and maraschino

Instructions

1

Add the gin, green Chartreuse, maraschino liqueur, and fresh lime juice to a shaker.

2

Fill with cubed ice.

3

Shake hard for 10 to 12 seconds until well chilled.

4

Double strain through a fine mesh strainer into a chilled coupe or Nick & Nora glass..

5

Garnish with a maraschino cherry or a lime twist and serve immediately.

Source: the IBA (Official IBA specification; method ours). Last checked 13 August 2026.

Expert Tip

The equal parts structure is not a suggestion. Adjusting any single component changes the balance immediately and significantly: reduce the Chartreuse and the drink flattens, increase the lime and the tartness dominates. Respect the ratios on the first attempt and adjust only once you know what the balance is supposed to feel like. Luxardo maraschino is the standard and worth using. Generic maraschino liqueurs vary considerably in quality and sweetness, and Luxardo is drier and more complex than most, sitting better against the Chartreuse without turning the drink cloying. Double strain and chill the glass. Ice fragments dilute the drink as they melt and shift the balance before you finish it, and a warm coupe flattens the aromatics of a drink served without ice.

Flavour Profile

HerbalCitrusCherryComplexTart

Equal Parts

The equal parts format is one of the most demanding in bartending because it offers nowhere to hide: the ratios are fixed, and the drink succeeds or fails on whether its ingredients can coexist at identical volume. The Last Word passes that test with room to spare. Gin, green Chartreuse, maraschino liqueur, and fresh lime juice are four of the most assertive ingredients in the cocktail canon. In the Last Word they hold each other in check, each present, none leading at the expense of the others. That balance is the drink’s defining achievement.

Detroit, 1915

The Last Word was created at the Detroit Athletic Club around 1915, in the years immediately before Prohibition. It was attributed to Frank Fogarty, a vaudeville comedian who performed as the Dublin Minstrel and apparently introduced the drink to the club. Ted Saucier documented it in his 1951 book Bottoms Up, the earliest known printed source for the recipe. Prohibition took most of the pre-war cocktail culture with it. The Last Word did not survive in active circulation; it survived in print, in a single book, largely unread, for half a century.

Green Chartreuse

Green Chartreuse is produced by Carthusian monks at the Grande Chartreuse monastery near Grenoble using a recipe that dates to 1737. It contains 130 plants, flowers, and herbs; only two monks know the complete formula; it is bottled at 55% ABV. In the Last Word it appears at 22.5ml, the same measure as every other ingredient, present and assertive without overwhelming. Its herbal complexity is the drink’s dominant aromatic note. The sweetness it carries is balanced by the lime, the intensity by the maraschino. It is not a background ingredient; it is one of four equals.

Maraschino

Maraschino liqueur is made from Marasca cherries, a sour variety grown primarily in Croatia, and their pits, which contribute a faint bitter almond note. It is not maraschino syrup, the sweet, artificially flavoured liquid found in jars of cocktail cherries; they share a name and nothing else. Luxardo is the benchmark producer, drier and more complex than most alternatives. In the Last Word the maraschino performs a bridging function: the Chartreuse and the lime pull the drink in different directions, and the maraschino sits between them, softening the lime’s tartness and complementing the Chartreuse’s herbal intensity without duplicating it. In a drink where it contributes one quarter of the total flavour, the quality of the bottle matters.

The Lime

Fresh lime juice squeezed immediately before use; this is not optional. Lime juice oxidises and its flavour changes within twenty to thirty minutes of juicing, and the clean tartness that cuts through the sweetness of the Chartreuse and maraschino is only present if the juice is fresh. Bottled lime juice produces a flat, slightly bitter result that throws the balance significantly. Where every component carries an equal load, the lime is not a minor consideration. It is a quarter of the drink.

The Rediscovery

Murray Stenson’s rediscovery of the Last Word at the Zig Zag Café is one of the origin stories of the modern craft cocktail movement, demonstrating that the best recipes do not always come from innovation; sometimes they come from recognising what has been overlooked. The Last Word was overlooked for fifty years. It spread from a single bar in Seattle within a few years, and by the end of the 2000s it was being ordered on every continent. The recipe had not changed. It just needed finding.

The Spirit

Gin

A flavour requirement rather than a method. The law asks only that juniper be the predominant taste and that the spirit reach 37.5%, which leaves everything else on the botanical bill to the distiller and permits a gin that was never redistilled at all.

Learn more

Frequently Asked Questions

What is a Last Word?

Equal parts gin, green Chartreuse, maraschino liqueur and fresh lime juice, shaken and served up. Four assertive ingredients hold each other in check, with none leading at the expense of the others, and that equilibrium is the drink's whole achievement.

How was it rediscovered?

It originated at the Detroit Athletic Club around 1915 and vanished after Prohibition, surviving only in Ted Saucier’s 1951 book Bottoms Up until Seattle bartender Murray Stenson revived it at the Zig Zag Café in the early 2000s.

Can I use the cherry syrup from a jar?

No: maraschino liqueur is made from Marasca cherries and their pits, dry and complex; the sweet syrup in cocktail-cherry jars shares the name and nothing else. Luxardo is the benchmark, and at a quarter of the drink the bottle matters.

You Might Also Like

A vintage watercolour illustration of a Bijou cocktail served in a coupe glass filled with burnished amber-brown liquid with no ice, garnished with a long twist of orange peel and a cherry in the bowl, painted in warm sun-faded tones on aged parchment paper with loose ink outlines and visible brush texture.

Bijou

The Bijou was created by Harry Johnson and published in his 1900 Bartenders' Manual, the name taken from the French word for jewel. The three base ingredients each represent a precious stone: gin for diamond, sweet vermouth for ruby, green Chartreuse for emerald. It is one of the most demanding drinks in the classic canon to balance correctly. Green Chartreuse is a 130-botanical French liqueur made by Carthusian monks since 1737, and it does not share space quietly. It brings herbal complexity, sweetness and considerable alcoholic weight to the glass. The gin must be assertive enough to hold its own, the sweet vermouth must be fresh, and the orange bitters tie the three together. The proportions are not equal parts, whatever the jewel conceit suggests: forty millilitres of gin against twenty each of Chartreuse and vermouth is what keeps the drink standing upright rather than collapsing into herbal sweetness. The result is rich, complex and entirely spirit-forward. This is not a drink for the uninitiated and it does not pretend to be.

A vintage watercolour illustration of a Champs-Élysées cocktail served in a coupe glass filled with cloudy pale gold liquid with no ice, garnished with a small twist of lemon peel on the rim, painted in warm sun-faded tones on aged parchment paper with loose ink outlines and visible brush texture.

Champs-Élysées

The Champs-Élysées first appeared in print in the 1927 cocktail book Here’s How, attributed to the anonymous “Barflies and Cocktails” collection published in Paris. The name signals its provenance clearly. This is a Parisian drink, built from French ingredients, that wears its origins without apology. At its core it is a Sidecar with green Chartreuse in place of Cointreau. That single substitution changes everything. Where the Sidecar is clean, citrus-forward, and accessible, the Champs-Élysées is herbal, complex, and considerably more demanding. Green Chartreuse is not a passive ingredient: it brings 130 botanicals, 55% ABV, and an intensity that reshapes everything it touches. The result is a drink that is simultaneously bright and deep, tart and herbal, elegant and challenging. It is one of the finest things that brandy, citrus, and Chartreuse have ever produced together, and it remains quietly underappreciated outside serious cocktail circles. That is unlikely to be the experience of anyone who tries it.

A vintage watercolour illustration of an Alaska cocktail served in a coupe glass filled with pale golden-yellow liquid with no ice, garnished with a twist of orange peel on the rim, painted in warm sun-faded tones on aged parchment paper with loose ink outlines and visible brush texture.

Alaska

The Alaska is a two-ingredient stirred cocktail of considerable elegance and considerable potency. Gin and yellow Chartreuse in a ratio that has been debated since the drink first appeared in print, with orange bitters to bridge them. That is the entire recipe. What it produces is far greater than the sum of its parts. Yellow Chartreuse is the gentler sibling of the green. Where green Chartreuse is bold, herbal, and assertive at 55% ABV, yellow is softer, sweeter, and more honeyed at 40%, with chamomile and saffron notes that give it a warmth and approachability the green does not always offer. Against a high-juniper London Dry gin the result is simultaneously botanical, sweet, complex, and completely spirit-forward. The Alaska first appeared in Jacques Straub’s 1914 Drinks and was subsequently documented by Hugo Ensslin in his 1916 Recipes for Mixed Drinks. Why it is named Alaska remains genuinely unclear; no convincing origin story has attached itself to the name. What is clear is that the drink itself is precise, demanding, and quietly one of the best things you can make with two bottles.

Where this one sits

Recipe by Jerry Can Spirits

Enjoyed This Recipe?

Explore our full collection of cocktails and discover your next favorite

Browse All Cocktails